Ambush Vin is the Staff and Publishing Director for AltWire.net, as well as owner of AmbushVin.com. He is also an independent Hip-Hop Artist, creating a sound that he has dubbed Sci-Fi Music. Based in Northwest Indiana (Chicagoland), Vin's mission for AltWire is to, "bring recognition to each and every Independent Artist who is trying to amplify their voice. It's not about stats for AltWire. It's about the love of music!"
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Andy Rourke and KAV of BLITZ VEGA Photo credit: Lexi Bonin
After a triumphant debut live performance at The House of Machines in Los Angeles last month, BLITZ VEGA (featuring Andy Rourke of The Smiths and KAV, formerly of Happy Mondays), have released their newest single “Lost & Found.” The song premiered on FLOOD MAGAZINEwho called it “a bold blast of classic Brit-pop rock… built for the fields of Glastonbury and late nights down at the pub.”
Mixed by Jagz Kooner (Primal Scream, Kasabian, Massive Attack), “Lost & Found” is a blend of The Stooges and Oasis, with a backbone of the Chemical Brothers & The Prodigy. There’s a distinct breakbeat driving the track, which presents a Wall Of Noise with everything turned to to the max; the perfect indie rock concoction.
“There’s no other song we’ve written that describes the journey we’ve been on creating this project. Little did we know when we started out what we had ahead of us,” says Andy.
“Ironically, this is the first song we recorded and it’s relevant for so many different reasons. From a personal point of view it definitely resonates. But it also relates to the world today & the issues many people are struggling with. When we started recording this record three years ago the world was a very different place politically. These past few years have really been a journey on all fronts.”
Despite only having one previously released song (“Hey Christo,” released earlier this year) Blitz Vega have already begun to earn acclaim from critics. The Journal Gazette noted that ,”[Blitz Vega] delivers big driving tracks, guitar hooks, heavy beats, loops and live drums, much in the vein of bands like Kasabian and Primal Scream,” while Spill Magazine simply stated, “Get ready for some damn fine music.”
“A couple of years ago we talked about recording some songs together and Andy came over to LA and things just naturally progressed from there. It felt good & we surprised ourselves a little. The vibe just clicked for us instantly.” KAV said regarding the formation of the band.
“Kav and I have bumped into each other on a more than regular basis over many years,” agrees Andy. “We always had a mutual respect for each other and always talked about ‘sometime in the future working on a project together’. It seemed we were always busy on other projects. Well, this year we finally got it together! The stars were aligned or something! We are so happy with the results and excited for all to hear.”
Blitz Vega will be playing more shows and releasing more music throughout 2019 and announcing album plans 2020. The band is currently available for interviews.
The Kansas City native and frequent Ish1da collaborator, just dropped a Super Spirit Bomb onto the favorite platforms of every music streamer.
I challenge you to listen to Still Trill and disagree.
Disclaimer: Neither myself, nor AltWire, condone the events that took place in Universe 7 during the Kid Buu saga. The destruction that took place, with effects that still linger to this day, is nothing short of a catastrophe…
…just like the remnants of recording studio that The Epitome recorded Still Trillat.
I really hope that it wasn’t a home studio.
All proceeds from the sales of this album will go towards The Epitome Build-A-Home fund.
Meanwhile, as we sleep, and The Epitome starts his home-hunting quest, Still Trillbegins by urging us to “Wake Up”.
Wake Up features Ish1da and Canadian emcee Ekaj. It serves as a much-needed wake-up call to those of us who are still 9 to 5’ing it.
Ish1da sums up the feeling of that struggle and his coping method on the hook:
Wake up, wake up can’t take another pay cut/
Lookin like I’m motherf—ing Brock when I be blazed up/
Lookin like the third division captain when I’m paid up/
Wake up, wake up can’t take another paycut
Still Trill has a combination of great lyrics, melodies, and yes, Nerd Bars & references that is rarely found in today’s independent Hip-Hop. It’s as if this album was designed to be a lean manufacturing technique, designed by Six-Signa Black Belt The Epitome, to automate the psychic industry.
It knows when you want to be energetic, it knows when you want to be laidback, and Still Trill knows when you are ready to turn up.
My favorite tracks on this album are:
OldMe featuring Kadesh Flow & VInyl Richie – On this track, The Epitome finds himself reminiscing about his former self, while recognizing how far he has evolved. In the end, he decides that he is a better person and says, “F— the old me!” I also love the jazzy accompaniment at the end of the song.
and Scott Summers, a lit anthem that lights up the atmospshere, just like its namesake’s optic blasts. Hopefully, this one gets a video!
Still Trill is Shakespearean, in the fact that it is a Midsummer Night’s Dream for everyone who is looking for a soundtrack to play, while bending blocks or skirting the main street on the hottest day in recent memory in their hometown.
Still Trill is definitely The Epitome of that classic heat.
Northern Touch Music Festival is a Godsend for Indie Artists
NTMF 2019 was held in the historic Exchange District of Winnipeg, Manitoba.
Photo by Kris Regacho
Winnipeg is known for a lot of things. It is known for it’s diversity, it boasts the largest percentage of Filipino population in North America, among an array of other cultures from Aboriginal to Scottish.
But, there is a new culture emerging in Winnipeg, that not many people outside of “Peg City” are aware of.
This culture is called Hip-Hop.
However, I have to mention that Winnipeg did have one of the dopest Hip-Hop groups in independent hip-hop in Winnipeg’s Most, who repped Aboriginals and the streets hard as hell.
Unfortunately, tragedy befell the group in 2013 when one of its members, Jon-C was arrested after a police raid yielded drugs. One of Winnipeg Most’s other members, Brooklyn, passed in 2015. The third member, Charlie Fettah, is still active as a solo act.
Fast-forward to 2017, and Hip-Hop is alive and prospering in Canada. In the U.S., the first name we think of when associating Hip-Hop in Canada is Drake.
However, Canada is a huge country outside of Toronto, and its population’s have the same urban and life experiences as we have here in the States. Those experiences are what define Hip-Hop, and make it music’s most diverse genre.
The amount of Hip-Hop activity happening in Canada is impossible to measure using the Richter scale. There is a large-magnitude quake looming in the near future, Canadians. It will be felt from Nova Scotia to Ontario. It will rattle car trunks and graffiti murals painted on brick walls in Alberta and Manitoba.
When seismologists are finally able to pinpoint its source, they will find it’s epicenter in Winnipeg.
In the Exchange District.
Northern Touch Music Festival (NTMF) was founded in 2017, by Shea Malcolmson. Sheahimself is a Hip-Hop artist and visionary, who goes above and beyond to ensure that Hip-Hop becomes a staple of Winnipeg culture.
Shea Malcolmson Photo by Ambush Vin
This is how their website describes the Festival:
NTMF was created with the same DIY spirit, drive & resilience that helped shape Canadian hip-hop into what it has become today.
We pay homage to the pioneers of Canadian hip-hop and guide ourselves using the same principles of our past artists and cultural trailblazers, to grow the Canadian industry and create tangible opportunities for artists seeking self-development.
We put artist education first, we break down barriers to accessibility and we empower artists.
I can sum up my NTMF experience with three words:
Dope As F—.
There was a smorgasbord of artists and bands performing at the Festival. It was mostly Hip-Hop, but the best aspect of NTMF was the amount of positive and loving vibes in the air between artists of different genres and cultures!
Photo by David Marcus
Globally, Hip-Hop is associated with violence and bad manners in general.
The world looks for a reason to justify violence and disregard for the rule of law in impoverished communities. Hip-Hop was found in those communities, and is the vehicle that we use to tell the stories of those communities.
People who demonize Hip-Hop music choose to “drink the Kool-Aid” and ignore the many injustices that are exposed via an Artist’s lyrics. These same injustices end in long prison sentences or tragedy in urban communities. Although Hip-Hop has evolved to become inclusive of all cultures, it is still considered to be a characteristic of bad behavior and criminal activity.
NTMF proved the last three paragraphs to be an overused stereotype.
Shea and the NTMF Staff managed to get Artists and Attendees of different cultures, from different environments and lifestyles together for a fun-filled weekend, even in the presence of plenty of alcohol and yes…marijuana (which is 100% legal in Canada!).
I was very impressed that NTMF was actually about Artist Empowerment, Growth, and Showcase.
A lot of festivals that I attend are obvious cash grabs: poorly organized, a couple of artists with recognizable names to draw people in and justify their outrageous ticket prices. In some cases, they even charge the Artist a performance fee to perform one song. They offer nothing that contributes to Artist growth or knowledge.
NTMF hosted an array of seminars that were designed to empower and arm artists with knowledge that would further their careers. The best part of these seminars is that they offered first-hand knowledge, given by NTMF 2019 Delegates who have all found success in the music industry.
Photo by Ambush Vin
These seminars taught everything from Sync/Licensing to Social Media Management. The delegates also took time to speak to all of the hungry artists and answer questions. As an artist myself, I can say that I left with a lot of knowledge that I did not have!
The seminars were only the tip of the platter. There were so many Artist and Resource networking opportunities at NTMF, that two weeks later, I am still sorting through business cards, pluggers, and CDs.
Meanwhile, at the Cube Stage, the lit performances continued peacefully, and the Beer Garden was overflowing. The food trucks were on deck, and Smoke’s Poutinerie was only a few steps away from the Cube Stage, ready to serve Canada’s best poutine to anyone who was hungry (and they had vegetarian options. A plus for me!).
Photo by Ambush Vin
Another aspect of the live performances I was impressed by was the excellent, crisp sound. We’ve all been to THOSE concerts before right? When I say those, I mean THOSE shows where you hear the background music, but not the artist.
Dave and Jonathon, the A/V guys, did an excellent job ensuring that wasn’t the case with any of the performances at the Cube Stage or the aftersets. Speaking of sound, the DJs: Benz, Disspare, Henny, P.O.W., Kilma, and NTMF President DJ Bunny did a hell of a job cueing everyone’s music and keeping the party turned up in between performances.
DJ Disspare Photo by David Marcus
DJ Kilma Photo by Ambush Vin
It was extremely hard for my associate photographers, David Marcus and Kris, to focus on shooting photos for this article, because we were vibing to this huge array of artists that we hadn’t heard before.
I vibed to artists like Gatson, whose lyrics painted such a vivid picture of The Struggle – caps intended – that I found myself reminiscing about my existence as a “Food Stamp” kid, tempted by the false sense of glamour that the drug game offered.
Gatson Photo by Ambush Vin
Another artist, Dr. Duru, almost made me drop my camera, because I was so turnt! His performance was so lit, I forgot that I really can’t dance, and found myself bouncing in the field everywhere.
Dr Duru Photo by Ambush Vin
Hip-Hop wordsmith Wordburglar came from Nova Scotia to give an energetic performance about his friend’s older brother, a bully who did strange things like watch Blade Runner and play Altered Beast.
Wordburglar Photo by Ambush Vin
Cypha Diaz murdered his performance, even accepting a random audience member’s challenge to a freestyle battle after his set.
EPDMC and Jeffrey slayed the audience with some of the best bars Nova Scotia has to offer, prompting Shea to call the Fire Department to put the flames out on the Cube Stage when their performance was over.
EPDMC Photo by Ambush Vin
Jeffrey Photo by Ambush Vin
I was captivated by Boog Brown’s performance. A Detroit native, she proved that she could stand toe-to-toe with the best names with the bars that she spit.
One of my most memorable moments was being introduced to the music of singers Courtney Devon (Amadians) and Kenzie Jane. These ladies combined to give a Woodstock-worthy performance on stage that would later on have me and my “tour guide” Harvey walking from the Cube Stage to see them perform at Canada Day at the Forks.
Courtney Devon and Kenzie Jane Photo by Ambush Vin
(For those of us who don’t live in Winnipeg, think walking from the Mandalay Bay to Freemont…twice.)
There were so many great artists, that I would have to dedicate more space than AltWire would give me to name them all!
Winnipeg’s mayor, Brian Bowman, even stopped by to show his support for the festival, and Hip-Hop, telling and showing people that Hip-Hop is an important part of Winnipeg’s diverse culture. I was impressed!
Winnipeg Mayor Brian Bowman, Shea, & Wordburglar Photo by Ambush Vin
But, the show didn’t stop at the Cube stage, because, in the famous words of Jay-Z, after the show it’s the afterparty!
As a special wrap-up performance, Shea gave an impressive, and unexpected, performance of his lit new content at The Royal Albert. It is worth mentioning that, Shea has a policy that he didn’t want to perform at his own event, that this was all about the artists. This was more of a thank you performance to the last few people who stayed until the final second.
Photo by Ambush Vin
Although NTMF is really Shea’s creation, it felt more like it was all of our festival. In fact, NTMF didn’t just feel like a mere festival, it felt like I walked out of my front door, and entered the house through the back.
Although I was over 900 miles away, Northern Touch Music Festival made me feel like I had never left home.
It’s so refreshing to hear a feel good song about young love in 2019.
Too often, we hear about the woes of young love, and how we should all avoid it at all costs. We associate young love with puppies, which in my opinion is unfair to all of the adorable puppies being compared with pre-evolved humans, who shy away from natural emotions.
Jilted lovers utter the word ‘love’ as if they time-traveled from 14th century Europe, to warn us about this imminent plague called Young Love that would befall modern-day Earth.
I hate to tell our time-weary friends, Black Death didn’t win. But, young love does.
Amadians’ Young Heart Fails should be mandatory on every doubtful lover’s playlist. The vibe of this song screams positive vibes. It is literally impossible to have a negative thought while this song is playing.
Believe me, I tried.
I thought of everything from my ex-wife to U.S. politics, all I could see were the positive aspects of both! Amadians lead vocalist Courtney Devon has such an amazing, soulful, & powerful voice that somehow manages to be mellow and soothing at the same time. Her voice goes perfectly with the positive vibe of this song, as she sings:
You may never know what you’ve given me
But I can’t show you what’s impossible to see
They say young hearts fail, well, we prove them wrong
They’re on the sidelines just singing along
Amadians band members James Roth (guitars), Ian Powell (bass), and Kyle Fox (drums), give a hell of a performance during the bridge span of the song. While James’ lead guitar solo slightly stands out in front, it’s not so commanding that it drowns out Ian or Kyle’s equally impressive performances.
Young Hearts Fail manages to have the lyrics of a ballad, while being an upbeat song. The lyrics that Courtney sing on the hook proves this:
Here’s to our nights never wasted
Days filled with memories created
Here’s to the one person who never let me down
Who tells me I’m beautiful without making a sound
On a side note, I had the pleasure of meeting Courtney, as well as singer Kenzie Jane, in Winnipeg at Northern Touch Music Festand watching her perform on Canada Day at the Forks. I can tell you from experience that the positive energy that she displays on Young Hearts Fail is not just a showcase. Watching her performance at the Forks, you could tell that she was really into her performance, as she danced all around the stage and spread all of her positive vibes into the audience.
Courtney Devon at Canada Day at The Forks in Winnipeg
Courtney Devon and Kenzie Jane at NTMF 2019
Sometimes, couples tend to lose their way and find themselves in dark places and wo
nder, “How did we get here?” This song will also remind its listeners of the reason they fell in love with each other in the first place, and that love is all that matters. I also recommend Young Hearts Fail as an addition to every loving couple’s playlists, including older couples, because real love makes us all feel young again right? Visit Amadians on their site at: https://amadians.com to follow them on social media! Follow Kenzie Jane at: https://instagram.com/kenziejanemusic and click here to hear her music on YouTube
Perrier ACTUALLY challenges toxic masculinity...on a Hip-Hop song!
Perrier reminded me that I have a confession to make…
…when I hear any music that is super lit, I temporarily (remember that word) become enslaved by the beat. I transform into my alter-ego – we’ll call him Benson – and find myself at the mercy of the track’s 808s and hypnotizing hooks.
The keyword here is (remember that earlier reference!), temporarily. Melodies without substance is like an ocean without water, you may find value in the treasures hidden deep beneath the surface, but an ocean’s most valuable commodity is sitting lazily, in plain view…
…water. As in Perrier.
Produced by Uthoria, Perrier has a hypnotic beat that will swiftly lift the listeners out of their seats. However, this track is far from being merely a dope melody without substance. Maybe it’s the “true head” in me, but I listen for the hidden meaning behind every lyric, including the hook. So when I first heard Shea spittin the hook on this track –
That’s that Perrier, That’s that Perrier
– the first thing I thought was, “Why Perrier? Not just any water, but PERRIER, top of the line sparkiling water.” Right then I knew this would be an arrogant track.
And I love every second of it.
Maybe I’m over analyzing Shea’s intentions with this track, but Perrier seems unabashedly flamboyant. This is a direct challenge to society’s idea of what masculinity is. Shea even spits about his “nails being fresh like he just came out the shop.”
Even the artwork for Perrier defies the traditional image of masculinity.
Shea continues to flash, as he begins the first verse:
Pull up drip need that water on my neck/ Shine is niagra that VS with the mink/ She don’t even know what she do to the kid/ I’m just Perrier when I step up in the bih
Postwar’s contribution to Perrier also drips hard. On some gangsta ish, he spits:
Im a lit rich bi–h/ Never everrollin up without my clique/ My clique got killas sh– been illa /
Ask for a collab I don’t fuck wit em
However, his next bars prove that supports Perrier’s main theme:
I can’t get it babe/ Know I mean it in the best of ways/ I’m too good for you broke ones/ Pass a sparkling cold one I’m on one
Perrier has all of the elements that make it a great song: a catchy hook, great lyrics, lit production, and replay value. This one will definitely go on my playlist. I’m thirsty for good music, and Perrier is just what I need to quench that thirst.
Hear more music and follow all of Shea’s social links from: https://musicbyshea.com
Hear more of Postwar’s music at: https://soundcloud.com/postwartunes
At some point in its short history, Hip-Hop became extremely diverse.
Back in the day, that means the late 80’s and 90’s for our readers who call Wiz Khalifa a throwback artist, Hip-Hop success was largely limited to artists who had “street-credibility.” Sure, there were artists who slipped through the cracks. Fresh Prince was probably one of the most notable artists who found success in Hip-Hop without compromising who he truly was.
Perhaps Will Smith held a crystal ball that could peer into the future. Or, maybe artists like himself and Shock G were actually Dungeon Masters from the 2010’s who traveled back in time, utilizing quantum mechanics to build a time machine to travel through dimensions to the late 1980’s to plant the seed of diversity in Hip-Hop. A place, which still exists because time is actually a dimension, and space is relative to time, meaning we’ve been bamboozled into thinking that time is a measurement.
LEX is originally from Taiwan, but lives in Oakland, California. She considers herself to be a Nerdcore Hip-Hop Artist, but after listening to her new album, Raging Ego, it’s hard for me to place a label on the high-energy femcee.
This album does a great job of blending multiple genres together. If there was an alternative title for this album, it would be: Raging Gumbo – “a mix of styles, lyrics, and production that no one would expect to sound so great together, until you hear it and your ears craving for more of this delicious flavor.”
The album begins with a song whose lyrics stay true to the egocentric theme of the album, “Peep Game”.LEX sets the tone for the album by spitting game in a confident tone:
Ladies and gentlemen and nonconformists/
Please, direct your attention to my performance/
Now train your line of vision on me like the eye of Horus/
And you shall find that my metaphorical dong’s enormous
However, “Peep Game” also contains a motivational message for people who are frustrated and feel neglected by the very individuals they are trying to reach. As LEX says, “Confront your enemies by telling ’em to peep game”. Don’t be fooled by LEX‘s self-label of her album as a Hip-Hop album. This album is filled with Indie, Punk, and Rock overtones. A track that stands out as such is the Mikal kHill-produced“Psych Major”.
On “Psych Major”, LEX the Psychologist informs her listeners:
I know exactly what you want, I know exactly what you need/
I know exactly where you’re from, I know exactly what you mean/
Cause I’m a Psych major and I’m a mind-reading machine/
(Remind me not to attempt to fabricate anything while talking to LEX…’cause she’s a mind-reading machine!)
Other tracks like “Sales Freak” take a fun tone, as LEX, in true Oaktown fashion, touts her skills as a hustler and saleswoman who can make you “put your wallets in the air and wave ’em around like you just don’t care.”
My favorite track on the album is “Mistakes” produced by Incooperative. The irony of this song is genius, considering that it’s on an album called Raging Ego. LEX admits her mistakes, while apologizing for them at the same time:
I’m sorry to all the kids that I tormented/
Who never thought their childhood bully would be repentant/
I can tell you I will never know how much it hurt/
Would it make you feel better to know I got what I deserved?
I had to replay the song three times to actually listen to the lyrics, because her flow on this song rode the melodic production by Incooperative so well. I love a track that can incorporate the structure of classic Hip-Hop, and “Mistakes”does exactly that.
LEX is in her own lane with Raging Ego. Even if you aren’t a fan of Nerdcore Hip-Hop, this album will have replay value for listeners across all spectrums. It’s creative and diverse and the Lexicon artist shows off her skill and versatility on the project with confidence.
Do yourself a favor. Tomorrow morning when you wake up, put your ego to the side, and buy Raging Ego. WARNING: You’re going to buy it sooner or later anyways, when you go to a LEX the Lexicon Artist performance.
Don’t be surprised when your wallet is in the air.
Al and Omayra sit down with LEX The Lexicon Artist to discuss her unique brand of 'weird smart rap'!
Main Photo Credit: Anthony Bongco
AltWire [Omayra]: So what can you tell me about yourself that you want your future fans to know?
Lex the Lexicon Artist: I’m LEX The Lexicon Artist. I write weird smart rap. I’m from Taipei, Taiwan, and currently live in Oakland, California. I started this project to share my unique perspective on the world as a third-culture in-betweener navigating multiple cultural and social intersections in the US. It’s since become my primary vehicle of writing odd, funny, relatable stories of my life through song.
AltWire [Al Gibson]: Why do you consider it weird? Because its unique? Or honestly because its weird to you as well?
LEX The Lexicon Artist: I’ve been told that I have a unique voice (literally and figuratively) and that my perspective and approach isn’t one that’s very common in music. I personally think it’s weird because I look weird and do weird things on stage. There’s not exactly a way for me to look like a “real rapper” and feel like I’m being authentic, so I’m just true to myself and the things I do and say in all my weird glory. As a kid I never fit into any cliques, so now I want all the oddballs to feel like they belong.
AltWire [Omayra]: Have you dealt with any criticism because of your rap style? If so, how have you handled it?
LEX The Lexicon Artist: Actually and thankfully, I haven’t. I’ve performed in front of many different types of crowds, from rock to “gangsta rap” to conscious hip-hop to even stand-up comedy fans, and I find that my style of rap actually speaks to something in each of those groups. It’s been nice to know that my music transcends genre well and is appealing to a diverse range of tastes. I know it’s coming, though. As an Asian American doing rap, there’s going to be at least one person who thinks I’m culturally appropriating. I’d like to think that I’m not – one of my rules is to never pretend to have had experiences that I’ve never had, or wear or say anything that doesn’t feel authentic. That’s why I don’t wear “hip-hop fashion” or put on an accent. I have respect for the roots of hip-hop, AND I’m using the spoken form of rap to make something that’s true to me, across a variety of sound palettes. Despite that, there will still be people who say I’m a poser, that I’m a joke, that I’m an appropriator, that I’m “not real hip hop”. People can say things. I don’t have to listen.
AltWire [Al]: That is an amazing way to think and I’d like to see more music creators think that way. Especially in these days of uniformity becoming the standard, as opposed to being viewed as ground-breaking because you’re different. Do you feel as if the music industry is taking a turn for the worse? Or are we witnessing a transition time where the best is yet to come?
LEX The Lexicon Artist: Thank you! I don’t think it’s taking a turn for the worse. It never has – trend bubbles like dubstep (2013) and trap (today) always pop, and good music always stays good. As far as musical trends, I think we’re seeing a revival of organic instruments. I opted to work with Klopfenpop because his production incorporates very organic sounds and he has a solid musical background in many live instruments, often playing them for collaborators in live shows. When I do live shows, I do them with a band because it has such a bigger visual and sonic impact and presence. I think people are gradually getting tired of producers spamming 808 hi hats, and they’re turning back to the sounds of live drums and guitars again. It obviously still needs to sound modern, but I think the most successful up-and-coming musicians are the ones who are taking advantage of that trend and combining it effectively with electronic production – one example I can think of would be London’s AKA George.
AltWire [Omayra]: So your song, “artist anthem”, relates to many artists. Was this song based on your personal journey?
LEX The Lexicon Artist: Yeah. It was a weird idea. It stemmed from a conversation with a friend where the conclusion was that I actually had really low self-esteem despite my artist persona saying otherwise. Being an entertainer gives me a lot of anxiety and is certainly not the easiest life to live. But at the end of the day I’d much rather have a shot at success and fulfillment than be “normal” or in a 9-5, which is reflected in the end of the music video.
Photo Credit: Jason Chew
AltWire [Omayra]: What advice would you give to up and coming artists going through this process?
LEX The Lexicon Artist: Be collaborative, not competitive. People can like both Kanye and Eminem – in fact, most hip-hop fans do. Just because someone’s in your scene and similar to you doesn’t mean they’re “stealing fans from you”. In fact, their fans are even more likely to be your fans. Work with your peers and be a part of different scenes. You’ll have a much wider reach than if you limit yourself to one pool of artists/fans.
Be fun live. Energy is everything. When fans see shows, the biggest thing they’ll remember is how your performance made them feel. Have great lyrics and music, and a killer stage show, and people will be talking about you to their friends after they leave. Making sure you’re reaching new people through the live medium is one of the best ways to build a following as you move forward.
AltWire [Omayra]:That’s great advice! So what are some personal hobbies you enjoy?
LEX The Lexicon Artist: I like to joke that there’s pretty much nothing to my life other than music. It’s about half-true. I’m also a theater fan, so I like seeing plays and musicals. My not-so-secret dream is to be a lead actor in a musical. I like writing, too. That’s where I got my creativity started. I still want to write a best-selling novel and regularly come up with ideas that are very much LEX ideas, but in novel form.
AltWire [Al]: When can we expect to hear more from you? Is there an album in the works?
LEX The Lexicon Artist: Yep. I’m working on my debut self titled LP, The Lexicon Artist. This is the lead single. The album will be done by the summer, probably May, maybe later. Until then, look out for more singles from the album dropping as the date approaches. I’ve also been releasing remix albums of my previous work on LEX is More, and the next one, Glasses, will be out sometime before then, too. I’m looking forward to a productive first half of the year!
AltWire [Omayra]: We all look forward to more music, but before we close do you have a message you’d like to send to your fans and our readers?
LEX The Lexicon Artist: Thank you, Omayra and Al, for having me on. You can find me on every streaming platform, on Facebook, and on Twitter and Instagram as lextheconartist. Same for Klopfenpop! I’m stoked for everyone to hear what’s coming. And for any fans outside the San Francisco Bay Area – if you want me to come to your city, send me a message and I’d love to make it happen. Thank you again!
The Gasparilla Music Festival presented by Cigar City Brewing have unveiled the initial lineup of acts that will be performing at the 7th Annual Gasparilla Music Festival taking place March 10-11, 2018 in downtown Tampa. More performers will be announced in the coming weeks.
The Roots will be headlining Saturday, March 10th and multiple 2018 Grammy® Award nominee, Father John Misty will be headlining Sunday March 11th.
GMF’18 will feature over 40 bands across 4 stages along Riverwalk in downtown Tampa. Each year the festival has grown in size and breadth with an eclectic assortment of music hand-picked to inspire as well as entertain. In addition to diversity of sounds, the Gasparilla Music Festival offers a variety of experiences including a wellness kickoff early Saturday morning. Last year, the fest hosted its first everDubb Tenn Yoga and Ride the Park, a stationary bike ride which served as a fundraiser for GMF’s Recycled Tunes program.
The annual festival celebrates the Tampa community and culture with local culinary delights, activities for families, performances by local artisans, aerialists, crafters, dancers, drum circles, elaborate hair-braiders, double dutch jumpers, pop-up performers, marching bands and more. Once again, the fest within a fest Kids Fest will include the Glazer Children’s Museum where in addition to the activities award winning Imagination Movers will perform and the entire museum will be open to the public with free admission.
Hailing from Seattle, Washington Emcee Mojo Barnes blesses us with a short yet stellar EP encapsulating personal woes, pains, and monumental moments in five songs.
Signs brings more to the table than just dope bars and witty punch lines; key example being “Blueberry” which gives Mojo Barnes the chance to release thoughts many can relate to coupled with an R&B vibe giving listeners a glimpse into his vocal talents. “Following” and “Heartbeat” perfectly mesh Mojo’s crooning with his strong lyrical ability in a way that sounds original unlike many others who take on this task.
“Following” puts us directly into his thoughts and feelings towards his own father by tackling the heart aches of an absent parental figure and the impact this made on him. “Heartbeat” is a beautiful expression of love to his “baby mama” sharing his excitement and joy in creating life together and moving forward as a family.
Hip Hop heads fret not because Mojo still comes with enough potent verse that have rewind value to keep you playing tracks over and over again. “Awakened” and “OHMYGOD” gives us a chance to hear how witty Mojo is as an Emcee. In “Awakened” Mojo raps:
“Its been a minute since me and God had conversated/he must still be mad after I body bagged the congregation/ I’m just trying to smoke loosies/ sniff lines off drunk floosies/mix weed, coke, smack, crack, and couple of roofies on the back of a groupie having me acting like goofy”
Mojo is not afraid to spit verses that may shock and awe an audience. Overall “Signs” is a phenomenal and personal introduction into who Mojo Barnes is. By tackling an array of subjects, he is sure to keep listeners and fans busy till his next release.